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![NO EXIT [Octet]](http://komakimusic.co.jp/cdn/shop/products/NoExit_{width}x.jpg?v=1663319660)
![NO EXIT [Octet]](http://komakimusic.co.jp/cdn/shop/products/NoExit_1024x.jpg?v=1663319660)
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Description
Lynn Glassock: This song has an atmosphere of impatience with nowhere to go.
NO EXIT / Lynn Grassock
A large octet work.
This is a piece by Grassock known for his multi-percussion masterpiece "Motion".
There are many repetitions and deformation patterns of the same sound pattern, so the trick is to finish it so that it does not become flat.
This is an imported sheet music.
There may be corner creases or scratches due to import and transportation.
*We cannot accept returns or exchanges due to incorrect purchases.
Please be aware of this before purchasing.
[Instruments used]
1. Marimba (A25-C76 4-1/3 octave), Wood Block
2. Marimba (A25-C76 4-1/3 octave), Vibraphone (F33-F69 3 octave), Brake Drum (2)
3. Marimba (A25-C76 4-1/3 Octave), Brake Drum (2), Wood Block (2), Slap Stick
4. Marimba (A25-C76 4-1/3 octave), Conga (2), Maracas
5. Tom-tom (4), Suspended Cymbal (2), Bongo, Log Drum (2 notes)
6. Tom-tom (4), Chime (D, E, F, Hi-D, Hi-E from bottom), Claves, Maracas, Cowbell
7. Bass Drum, Log Drum (2 notes), Temple Block (4), Suspended Cymbal
8. Snare Drum (2), Tam-tam, Triangle (2)
[Reference playing time]
About 6-7 minutes
It becomes the reference time by notation of musical score. It will change depending on the actual performance tempo.
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About the return and exchange of products
If you receive a product with a discrepancy, please contact the appropriate part of the product within 8 days of the request, along with the appropriate part of the photograph, and contact contact@komakimusic.co.jp. Please let me send you an alternative (if you can't be ready for an alternative), and will be refunded for you.
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For any discrepancy, we will bear the fees for the return, or the shipping charge for the replacement goods, and the fee in case of refund.
Please note that your return/replacement may not be available for your convenience.
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