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Description
Hamaguchi Taya
Shoujo no Inori. Eien wo Mitamono (A girl's prayers and eternity look at her)
[instruments]
Glockenspiel (G5-C8 2-1/2 octave, wood piece, Tam-tam, Guiro, Xylophone (F4-C8 3-1 / 2 octave or marimba).
II. Snare drum, conga (2), floor tom, suspended cyber (bow required), Vibraphone (F3-F6 3 octave).
III. Bongo, Tom-tom (2), Bass Drum.
IV. Timpani (4), Suspended Cymbal (played on timpani)
Score and parts set
Concert time
About four minutes and 40 seconds
* performance time depends on the playing method and tempo.
[composer] comment
In 2012, composed by the Commissioner of Kagawa prefectural Josai high school Wind Orchestra.
I composed the story of the man who waits in the castle and the men who fight in the background, but there is no concrete story. I think that the player can freely create the story and color it.
Please try to devise an intermediate breath sound to make cheating to prevent the sound from breaking. Since the designation of the mallet is a guideline, it is good to study by the player.
Hamaguchi Taya
* Please note that you will not be able to receive your return and exchange due to purchase errors.
Ecp-0015
Shoujo no Inori. Eien wo Mitamono (A girl's prayers and eternity look at her)
[instruments]
Glockenspiel (G5-C8 2-1/2 octave, wood piece, Tam-tam, Guiro, Xylophone (F4-C8 3-1 / 2 octave or marimba).
II. Snare drum, conga (2), floor tom, suspended cyber (bow required), Vibraphone (F3-F6 3 octave).
III. Bongo, Tom-tom (2), Bass Drum.
IV. Timpani (4), Suspended Cymbal (played on timpani)
Score and parts set
Concert time
About four minutes and 40 seconds
* performance time depends on the playing method and tempo.
[composer] comment
In 2012, composed by the Commissioner of Kagawa prefectural Josai high school Wind Orchestra.
I composed the story of the man who waits in the castle and the men who fight in the background, but there is no concrete story. I think that the player can freely create the story and color it.
Please try to devise an intermediate breath sound to make cheating to prevent the sound from breaking. Since the designation of the mallet is a guideline, it is good to study by the player.
Hamaguchi Taya
* Please note that you will not be able to receive your return and exchange due to purchase errors.
Ecp-0015
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