Dancing Colors (Download Version)

Percussion Ensemble in Six Movements – Theme: “Colors”

Composer: Hiroyuki Yamazawa

Performance Time:
Shinonome-color 1 minute 58 seconds
Biroudo 2 minutes 20 seconds
Noshime Hana-colored 1 minute 56 seconds
Hana RokuShou 1 minute 24 seconds
Terigaki 2 minutes 06 seconds
Danjuro-cha 1 minute 24 seconds
*The performance time is based on the reference sound source, so it will vary depending on the performance method and tempo.
Reference sound source:JPC ENSEMBLE COLLECTION Vol.12 (CD)

In the case of triots, IV instruments will not be used.
Shinonome-color
I: Vibraphone (F33-F69 3 octaves)
II: Marimba (C28-C76 4 octaves)
III: Wind Chime, Glockenspiel
IV: Chimes
　
Biroudo
I: Glockenspiel
II: Vibraphone (F-F 3 Octave)
III: Vibraphone (shared with II)
IV: Wind Chime, Triangle, Bell Tree, Sleigh Bell, Suspended Cymbal(2), Finger Cymbal, Tam-tam, Hi-hat.

Noshime Hana-colored
I: Xylophone
II: Tom-tom(3), Foot Bass Drum, Bongo.
III: Long-boss drum (or Bass Drum), Conga(2)
IV: Timpani(4)

Hana RokuShou
I: Vibraphone
II: Marimba
III: Bongo, Tom-tom(4), Foot Bass Drum, Suspended Cymbal(3)
IV: Bass Drum, Tam-tam, Timpani(2), Wave machine, Conga(2)

Terigaki
I-IV: Marimba (C16-C76 5 octaves) 4 people playing one machine
For the triot version, C28-C76 4 octaves. Three people play one

Danjuro-cha
I: Vibraphone
II: Marimba (C-C 4 Octaves)
III: Tom-tom(4), Kigane, Suspended Cymbal, Foot Bass Drum,
IV: Vibraslap, Hi-hat, China Cymbal, Chopstick Part IV is a reinforcement for parts I to III. You can play without it, but it gives the overall thickness.

Difficulty

Intermediate–Advanced to Advanced

Staff Notes

• The vibraphone parts demand strong fundamentals, especially in arpeggios. With fewer players, accuracy is crucial to maintain harmony.

• Glockenspiel dynamics should be adjusted for overall balance rather than following the score markings rigidly.

• Since two players share one vibraphone, careful damper (pedal) control is key.

• Pay attention to silence—phrases should still “breathe” musically even during rests.

• Xylophone passages require steady control to avoid rushing. Begin at a tempo suited to the most challenging repeated-note section.

• Marimba II is easier with three mallets (two in the left hand recommended, depending on the player).

• Players must be aware of each other’s rhythms to avoid collisions on shared instruments.

• Some movements tend to drag in tempo; aim for a light, graceful approach while keeping the Japanese “color” atmosphere intact.

(These notes reflect our staff’s perspective. Please follow your instructor’s guidance for actual performance.)

Composer’s Comment

This suite is themed on colors—each piece reflects the image and movement of its respective shade.

• There is no set order: start and end with your favorite colors, perform a selection, or even just one movement.

• As long as the essence of the music remains, feel free to adapt the number of players or instruments.

• All movements may be performed without Part IV.

Performance
　Percussion group Ogun  July 20, 2012 
Venue: Komae Ecorma Hall (Tokyo, Japan)

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Score and parts set

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