tucchie's Taiko Strange Story
Tsuchi's "Taiko Strange Story" 19th | The importance of conversation
*This article was published in "JPC No. 156" published in April 2018.
Dear readers of the JPC newsletter, the time has come for the familiar taiko stories. It's the usual start, but today's situation is a little different. What on earth...?
It was a very cold January day. The New Year's mood has long since disappeared, and life has returned to normal. On such a midwinter evening, a carefree old man and a beautiful woman have a secret meeting in an old-fashioned room in a building in Asakusa...The man walks around town wearing an old coat and sunglasses, as if refusing contact with the world. The woman walked at a good pace with a straight back and a slight smile on her lips. Both of them were drawn into this old building in the city of Asakusa, as if welcoming what was about to happen with some anxiety but even more joy.
I tried to write it in the style of a novel, but what I mean by that is that I was able to have a conversation with Risa "Taikoban" Okada, who is serialized in this magazine, at the suggestion of the editor of this magazine, Mr. Nishio, a downtown Jedi master who made a name for himself in the drum industry as the famous store manager of Drum City. Actually, this was my first time having a ``conversation,'' and I had no idea what to do or how to do it, so I just did what Mr. Nishio told me to do, and I just blurted out something meaningful, like ``My Melody, My Rhythm,'' and was immersed in joy. Or rather, it's difficult. Anyone who knows me will tell you in unison, ``It's okay, Tsucchi, just keep talking in your normal tone.'' It wasn't that stupid. After all, more than 90% of the things I talk about are meaningless nonsense and end up disappearing on the spot. I have to have this ``conversation that lasts.'' This creates responsibility. Now that's tough. Just as I was feeling nervous, Jedi Master Nishio-san, who was standing by my bedside, said to me, ``You don't need to worry too much, as I've already talked about it in this paper,'' so I relaxed and headed to JPC.
This is only my third time meeting Risa Okada, who will be my interviewee, but from the first time I met her, I got the impression that she was a woman with a very cute smile who struck up a conversation with me.When I listened to the D.W. Nichols music she was playing, I realized that Risa Okada is a wonderful drummer who plays only for the sake of the ``songs'' in her cheerful beats. What's the secret behind her simple and lyrical playing, where you can clearly see her respect and love for roots music? I thought it would be great if I could ask about this in a conversation. But...I'm writing this manuscript now, regretting my excessive talking...sweat.
For example, what kind of practice do you usually do? Things like equipment, things to be careful about when playing, etc. are not talked about very much, and it's more of a psychological thing, each other's roots, and differences in interpretation due to differences in the way men and women feel.It's a big deal when you put it into words, but in reality, it's the bottom of the deep river that flows between men and women like, ``What do women feel at a time like this?'' or ``Oh, that's how men feel.'' We were having a very relaxed time, just peeking in and talking about things.
No matter who you talk to on a regular basis, a casual comment can sometimes make you startle. However, this conversation was a series of such things, and I got the impression that Ricchan, who laughed brightly and talked about various things, was a person with intelligent instincts, and he had a completely different logic from a man's, no, he had a big swell that could easily blow away a man's logic, and he had a very groovy and accurate machine in his stomach.Where can you buy that machine? I wanted to ask this question, but then I realized that it's probably something we men will never be able to obtain. That's why it was great to be able to talk to each other about how men and women are interesting, and Nishio-san's way of intervening was exquisite, and I think we had a really fun conversation.However, my only regret is that I talked too much...Next time, I'd like Ricchan to talk more.LOL
I don't even know if there will be a next one lol
After the conversation, em's banquet was so exciting that I wish I had recorded that as well. When I drink alcohol, I end up talking more and more, and I feel sorry for making you all talk about such nonsense... My next goal is to actually go and listen to Risa Okada play. Of course it's good to listen to it on CD, but I would like to experience her breathing in real time. When I said this, Ricchan said, ``Ah, I want to hear Tucchi-san play too!'', so I felt like I was able to get a glimpse of that secret through this conversation, that I want to keep busy and play as well as I can until that time comes.

Conversation is like playing catch, and when you catch the ball that the other person is throwing, you can understand how the other person is feeling. On the other hand, if you throw the ball with your feelings, the other player will understand how you feel. It's obvious, but in addition to that, I'm checking myself while following the ball I've thrown with my eyes. I am deeply grateful to Mr. Nishio, who organized the conversation, and Ms. Risa Okada, who spoke to me, as it was a conversation that made me realize so many things about myself. We would also like to thank Mr. Narita of Komaki Musical Instruments for setting up the banquet, for letting us hear many stories, and for providing us with delicious food and delicious sake. Please read the transcript of the conversation that Mr. Nishio transcribed while crying, and try to imagine the atmosphere.
In this day and age, when many things are done on computers and smartphones, and even confessions of love are done on LINE, it was a day when I realized that the lives of performers and musicians who make their living by ``playing music'' instead of ``conversing'' face-to-face. Performance is music, a language for conversation. Let's all talk more lol See you soon. I pray for your health and peace of mind.
Answer article from Mr. Okada

*This is an excerpt from "Taikohan Part 6", which was serialized by Mr. Okada at the time.
Welcome to Risa Okada's Taikoban!
In this corner, drummer Risa Okada gives her stamp of approval on things and things she likes.
This time, I would like to give a thumbs up to Yoshinori Tsuchida, also known as "Tsucchi-san", who you all know from his JPC column series!
This is because JPC Nishio-san, who has always been very helpful to me, has been saying for a while, ``I'd like to have a conversation between Ricchan (that's me) and Tsucchi-san,'' and this time it finally came true, so I thought I'd write about my thoughts after the conversation.
That means, it's a big day for Tsucchi! So.
After our conversation, my first impressions were that Tsucchi-san is cute (I'm really sorry to his seniors), and that the self-proclaimed ``Junji Takada of the drum world,'' who is actually an amazing person but wraps it up in humor and puts zero pressure on the other person, is no joke.
First of all, when we started our conversation, Tsucchi-san sent me an email saying that the theme for this time would be "My Melody, My Rhythm."
At that point, I was momentarily frightened, thinking, "I'm the focus!?" But for some reason, I felt an unfounded sense of security, but I'm sure Tsucchi-san and Nishio-san will be fine. I headed to Asakusa with a cheerful feeling that I was looking forward to meeting them.
I think you can get an idea of the content of the conversation by looking at the text of the conversation (which Mr. Nishio put together while probably crying), but there wasn't much specific talk about the drums, just the psychology (the feelings and emotions involved in playing the drums) and men and women. lol
But to be honest, even when drummers get together for drinks, I feel like that's the only thing we talk about.
For example, when I go to a friend's band's live show and visit their dressing room, I'll say things like, ``Wow, that snare sound was really good. What did you use on that cymbal?'' But when I sit down and talk to them slowly, it becomes more like ``I want to know about you,'' rather than ``I want to know about your drumming.'' (Sorry, I suddenly heard a line that sounded like an idol's lyrics. I'll leave it as is.)
That's more interesting. personShaftThat's what comes out on the drums.
That's why I thought Tsucchi-san was the same type, and was actually very happy.
To be honest, I'm not sure if I was able to properly answer what Tsucchi-san wanted to ask, but I had a really fun conversation with her, as she kindly accepted and understood all of my petty points.
I received some nice words, and I had a great time being complimented by Mr. Nishio and Mr. Tsucchi.
After our conversation, what I want to say out loud is, "Girls who love music! If you're even slightly interested, try playing the drums! It's definitely fun and it's perfect for you!" A base would be fine though.
I want to become a bass player in my next rebirth.
I think girls are suitable for being in the rhythm section.
The reason for this is that...you can read the contents of the conversation here and there. . .
Oh, by the way, there was one thing I couldn't answer properly during the conversation.
When Tsucchi-san asked me, ``Why did you think old music from the 60's and 70's was cool when you were a college girl?'' all I could answer at the time was ``I wonder why. I just thought it was cool.''
Thinking about it later, I realized that it was also “love.”
When I was in college, I met a senior musician who was very knowledgeable about music, and that's exactly what happened.
About 80% of my knowledge of roots music was learned from him. lol
Girls are often influenced by their boyfriends.
I can't say that it's 100% good, but I think it's a great way for me to grow.
Maybe it's because they don't have their own ``commitments'' or ``coolness'' than men do. I wonder if this somehow relates to the content of the conversation...
As a side note, I have a friend who is a female musician and we have really similar tastes in music, and when I asked her, ``Why did you like music so much?'', she answered, ``No, I liked it when my ex-boyfriend said that,'' so I said, ``Ah! I totally get it!'' and we hit it off, but later I found out that my ex-boyfriend and I were actually the same person.
There is such a thing! ? That's what it felt like. We had a great time and became even better friends. lol
Aside from digressions, I think if I had talked about how my love of music was influenced by my boyfriend during the conversation, we might have had a lot more fun talking about it. . . introspection.
So, Mr. Nishio, let's do it again! lol
Next time, I think it would be good to look at things from a different perspective, such as Tsucchi-san being fashionable, fashion and music, or food and music.
Anyway, I'm really glad that Tsucchi-san is in the drum world.
He's big and kind, and even though he's serious, he just says something stupid about it and gets away with it.
It's the best.
We haven't worked properly together yet, so I want to keep working hard for that day.

■Tsuchida “Tsutchi” Yoshinori Profile
Born in 1969. At the age of 11, he was inspired by YMO's Yukihiro Takahashi and started playing the drums. Currently working as a freelance drum tech and roadie, Eikichi Yazawa, Yukihiro Takahashi (METAFIVE, YMO), Takashi Matsumoto (Happy End), Tatsuo Hayashi (Tin Pan), Haruomi Hosono, [Alexandros], Diggy-MO', LITE,
He hangs around as part of the stage crew for tours and recordings with Gen Hoshino, Pierre Nakano, RADWIMPS, and other summer festivals such as FUJIROCK FESTIVAL and SUMMER SONIC.
He regularly performs live with his band 254soulfood.
Participating works as a player include HARRY's ``BOTTLE UP AND GO'', Taro Motozono's ``R135 DRAFT'', and ``torch''.
A chubby guy who loves soba, rakugo, reading, drinking, and smoking.
執筆者:土田 ”つっちー” 嘉範

